Tag Archives: non-fiction

Upcoming Events & ThanksBe

A quick flip post of thankyous and mentions. The fall and winter fell into a mix of normal (happy but busy) return to work, chaotic family schedules, a tiny bit of travel, general tired, and a few readings. I both welcome and regret spring. The quiet of late fall and deep winter lets me hide and look out windows. It affords more grace for quiet. I think I sometimes pretend that I don’t need that or that my energy is better than it is but it’s an illusion. Rest is required.

I’ve been grateful for:

A warm reading and discussion at Octopus Books with Shannon Arntfield who was launching her debut poetry book Python Love. Thank you to Octopus Books for being such gracious hosts as well as the League of Canadian Poets and the Canada Council for their event through a National Poetry Month event.

Alt text: photo of myself and Shannon Arntfield holdering our books after the event at Octopus Books, taken from their Instagram.

This review by melanie brannagan frederiksen in the Winnipeg Free Press:
“In Toxemia (Book*hug, 176 pages, $23), Christine McNair uses medical and cultural histories, folklore and memoir to consider, specifically, preeclampsia — and more generally, the way pregnancy, chronic and acute illnesses are treated in women. McNair’s use of a prose line throughout the text seamlessly blends moves from critique and analysis to memoir to the immediacy of lived memory.

“I am now more afraid of telling doctors my history,” she writes, after struggling to get adequate care for depression while she is breastfeeding. In the penultimate poem, McNair opens with the disorienting truth: “I’ve been told my memories are not my own.””

This review by Andreina Romero, in Room magazine:
“A term describing the presence of toxins in the blood, toxemia is also an old name for pre-eclampsia. Moving between memories of her pregnancies, emergency hospital visits, and her struggles with insomnia and depression as a bookbinding apprentice, McNair weaves a narrative history as lived through her body. At its heart, her investigation is about the ways the body rebels against the violence of pregnancy, as well as the intractability of illnesses that disproportionately affect women due to underfunding and under-research.

McNair tries to make sense of the condition in different ways: lyrically through vivid descriptions of symptoms and diagnoses, and genealogically by tracing the medical history of the women in her family—a great-grandmother who died at thirty-six, and her mother, who suffered a miscarriage before McNair was born. The most striking way, however, is analytical: one table lists the overlapping symptoms of a heart attack, depression, and the third trimester of pregnancy. Another compares the symptoms of pre-eclampsia and anxiety. Through these stark juxtapositions, McNair highlights the dangers and sacrifices implicit in the bringing of life into the world.”

This upcoming event through the Speaking Crow series (via plume) in Winnipeg! Both my parents grew up in Winnipeg so it’s a chance to connect with some family when I’m there next week. Thank you to the Speaking Crow series and to the Writers Union of Canada for their support of this event through the National Public Readings Program.

Alt text: promotional information for Speaking Crow reading series event on Tuesday May 6th from 6:30 to 7:30 pm at the St. Boniface Library in Winnipeg. Admission Free.

Also grateful for another upcoming event in Ottawa with rob mclennan and Amanda Earl at the Lieutenant’s Pump in early June! More details soon but it will be good to have a chance to read again in YOW.

I’m hoping to add a few more readings in 2025. More to come. We’re travelling to Ireland in July to follow our daughter’s choir and we’re hoping to read there too if we can. I know I’ll be in Nova Scotia in the fall (dates to be finalized) and I’m hoping to have a few readings there.

In the meantime, I’m watching the garlic and rhubarb come up in the garden. I’m titrating my energy in a beaker. I’m frustrated by the soreness in my right hip. I’m trying to hold a thought. The kids are outgrowing their shoes. I can’t keep track of all the school events. I’m planning the summer. I’m fretting the books in our house. I have the normal flow of annual specialist appointments and endless med managements. I’m fretting the loss of our family doctor for myself/kids and how we’ll replace her. I fret budgets. I’m wishing I could justify buying the garden beds that I want. I’m alternating hot/cold in the constant flow of dread news. I’m looking forward to buying seedlings as the dire winter news ate my capacity for seedlings. I blank out with cozy mysteries and games full of perpetual crops. I can’t wait for all the actual perennial herbs and foods in our garden. I plan the arrival of dirt. The damn blossoms. Can’t wait.

Toxemia 2024: reviews & interviews & mentions

I’m a few months into the launch of Toxemia, my hybrid poetic memoir with Book*hug Press and feel lucky to have had a few readings and reviews along with some private messages and correspondence from folks I admire. It’s such an oddly tender thing to put out a book like this. I can’t always read people at the best of times and with this work it feels like it cost more in the production. Cost more to write (emotionally), cost more to finish (time-wise in time of ongoing medical stuff) and costs more to sit in front of it (in terms of vulnerability). I hope the book will find the readers that get it. And I’m always appreciative when anyone tells me what they think of it because it is such a lonely thing in some ways.

My non-fiction poetic memoir creature was included on the CBC Books list of 44 Canadian poetry collections to watch for in 2024 and the 49th Shelf’s Most Anticipated Fall 2024 Poetry and the CBC Books list of Canadian Books we can’t wait to read in October. The cover featuring collage art by Kate Sutherland (typeset by graphic designer Gareth Lind) was on the Hamilton Review of Books’ Face Out: Our Favourite Book Covers of 2024 list.

Hollay Ghadery was kind enough to extend the panel discussion at The & festival at Sheridan College with Paige Maylott and Maurice Vellekoop into a three-way interview on navigating vulnerabilities in life writing. (As aside — https://quillandquire.com/omni/students-writers-rally-to-support-sheridan-writing-program-facing-suspension/. Support those rallying.) I truly appreciated the initial discussion and then reading my co-panelists responses to these post-panel questions. A bit from one of my answers to Hollay’s question about our respective chosen forms: “I’ve noticed during the readings that I’ve been doing that I’m still seen as ‘poet’ but the book itself is very much not entirely that.  There are some things that play with prose poetry and I do play a bit in the margins but it’s just that the prose isn’t always linear.  That doesn’t necessarily mean that it is poetry. The word choices are strange. But maybe that’s just me. Maybe I’m just strange. I like things to be compound and alchemical.”

I got quite sick at the end of 2024 along with both kids so I fell behind in my year-end-wrap-up-tasks like responding to the Book*hug Wrapped 2024 Authors edition. Really grateful though for my fellow author Stephen Cain‘s mention of Toxemia in his list! Kate Sutherland also included Toxemia in her list of ten of the most exciting & challenging books she encountered in 2024.

A couple of the fall readings are available online — notably the cabaret with Amanda Earl at an Ottawa writers festival event with book sales by Perfect Books (sadly Sandra Ridley couldn’t be there) as well as my reading as part of the Single Onion reading series in Calgary with rob mclennan and the Magpie Poets (haiku group) at Shelf Life Books.

Reviews and some other things:

Kim Fahner wrote a thoughtful review for periodicities:

“While questions of illness and mortality are present in Toxemia, there is also such a great sense of hope in the celebration of persistence, and of surviving of difficult things [….] I suppose that’s what I loved most about this book: McNair writes of the pain and loss of control that comes with physical and mental health challenges, in how our bodies are frustrating animals (especially when we come to realize we have so very little control over them),  and still it is also about resilience, bravery, and the need to formulate connections through time and space, and in our current lives. So, Toxemia speaks to the hard-won values of persistence and survival—of managing life’s challenges—but it also rises to celebrate the tenacity of the blooming that arrives alongside the struggle. There’s such beauty in that revelation, and perhaps that it why this work is so gloriously more about growth and strength than about destruction or weakness.” (excerpt from review)

Kerry Clare also kindly wrote on Toxemia in her Recently Read section of her website:

“Christine McNair blends high and low cultures, arts and science, words and images, memoir and research to tell the story of her life as a woman with a body, a body that is so often wrong or dangerous, her symptoms and experience disbelieved, disregarded. [….] “I am now more afraid of telling doctors my history,” she writes. Though with TOXEMIA, she’s made art of that story, a moving and compelling narrative, strange and edgy, unsettling. Unputdownable.” (excerpt from review)

Michael Bryson included Toxemia as part of his last batch of reviews on his substack in 2024:

“Christine McNair’s Toxemia makes for harrowing reading. A memoir told in lyrical essays, prose poetry, photographs and more, this book takes the reader to the edge of life [….] I started with a vague sense that this was a story about complications from pregnancy. By the time I finished, I realized what an idiot I was — and I was drowned in respect for McNair for the numerous subtle turns, explanations, and descriptions she provides of multiple near death experiences and the mysterious, tenuous connections between cause and effect, especially as related to the fragility of life and the monstrous uncertainties that regulate (or not) the human body. [… ]The narrative is non-linear, looping back and forward, pulling in historical analysis and soaking in poetic reflection. These things happened. They put her life at risk. In past centuries, they killed many women. Modern medicine continues to find them mysterious. Narrative loose ends abound, as in this situation they must. The bottom line is life persists, the book was written. And it’s terrific. One line jumped out at me: “Every body survives something. Or they don’t.” Amen.” (excerpt from review)

My partner rob mclennan also wrote on Toxemia as part of his reading in the margins project on his Substack. He wanted to tackle it in a non-review way as he can’t really write on my work neutrally in other spaces as he could any other writer due to conflict of interest because spouse-love-life-adinfinitum. He gets what I mean when I say this in his piece: “I do see it as a poetic memoir rather than a book of pure poetry. Language is important to me in both prose and poetry and this book flexes between genres on purpose. Play can be found in prose, even non-fiction prose, even a memoir, even a health-historic-body-fueled memoir filled with tough things.”

As for my posts and such — I made a video that introduces Toxemia for the Book*hug YouTube channel made of some clips of the past few years, spliced together with my voice overlaid. A few snippets of time and space.

I also wrote a small list of recommended books for 49th shelf called A List for Lost Words that focuses on books that meant something to me when I was trying to make sense of the confusion of a difficult diagnosis.

And I pulled together a playlist of songs that I associate with the memoir in one way or another for the Book*hug blog. I may have spent far too much time on this and then cursed myself for not including things that I thought of later.

Earlier praise for Toxemia:

Toxemia is simultaneously a history in/of medicine, a feminist rallying cry, and a raw but scalpel-sharp work of poetry. A genre-blurring text that boldly bloodies lines between poetic and reproductive bodies, between archive and lyric, between manifesto and song, between autoethnography and free verse. A bodypoem flex.” —Sarah de Leeuw, author of Lot

“How much pressure can build in language before the story of women’s health blows apart? In Toxemia, Christine McNair tests the narrative as if it were a problem patient. She charts the events that bring her close to death several times with the skill of the most intuitive midwives and rigorous clinicians, though representation is not diagnostic. This is a beautiful etiological study.” —Elee Kraljii Gardiner, author of Trauma Head and Against Death: 35 Essays on Living

Toxemia is astonishing. It’s difficult to use positive adjectives for something so searing and widespread as toxicity in all its forms as it is portrayed in this book. But what can be said is that we need this book. We need  ‘a pattern that is only legible’ to McNair. If nothing else, in this undetermined narrative, we may read our multiple selves, our own fragilities to systemic damage and unutterable forces beyond our control.” —Madhur Anand, Governor General’s Literary Award–winning author of This Red Line Goes Straight to Your Heart

UPCOMING EVENTS

FEB 28, 2025, VANCOUVER, BC: Off the Shelf Reading Series, details forthcoming.

MAY 2025, WINNIPEG, MB: Speaking Crow reading series, details forthcoming.

FALL 2025, WOLFVILLE, NS: details forthcoming

Hope to see some of you soon and hopeful to add more readings/events as they come up in 2025!

First reading for Toxemia at Books & Company in Picton, ON as part of the PEP rally reading series.

Touring Toxemia: new book out now!

I’m excited to say that Toxemia, my hybrid poetic memoir is now out with Book*hug Press!

I’ll be doing a mini tour of sorts (details below) and am so grateful to Jay/Hazel/Reid/Gareth/Britt/Stuart/Laurie/all-all-all-all at Book*hug and to my editor Tanis MacDonald for all of the work in getting this book to press. Thanks as well too to Kate Sutherland for her use of her beautiful collage art for the cover. And to my family and friends for their never-ending support.

I’ve already had book launches in Picton, St. Catherines, Ottawa and Mississauga with forthcoming launches in Toronto, Hamilton, Kingston, Calgary, and Vancouver. I’m hoping to add a few more dates — in particular in the Maritimes and Winnipeg.

Toxemia is simultaneously a history in/of medicine, a feminist rallying cry, and a raw but scalpel-sharp work of poetry. A genre-blurring text that boldly bloodies lines between poetic and reproductive bodies, between archive and lyric, between manifesto and song, between autoethnography and free verse. A bodypoem flex.” —Sarah de Leeuw, author of Lot

“How much pressure can build in language before the story of women’s health blows apart? In Toxemia, Christine McNair tests the narrative as if it were a problem patient. She charts the events that bring her close to death several times with the skill of the most intuitive midwives and rigorous clinicians, though representation is not diagnostic. This is a beautiful etiological study.” —Elee Kraljii Gardiner, author of Trauma Head and Against Death: 35 Essays on Living

Toxemia is astonishing. It’s difficult to use positive adjectives for something so searing and widespread as toxicity in all its forms as it is portrayed in this book. But what can be said is that we need this book. We need  ‘a pattern that is only legible’ to McNair. If nothing else, in this undetermined narrative, we may read our multiple selves, our own fragilities to systemic damage and unutterable forces beyond our control.” —Madhur Anand, Governor General’s Literary Award–winning author of This Red Line Goes Straight to Your Heart

NOV 4th, TORONTO, ON: The Book*hug fall 2024 Poetry Bash! https://www.facebook.com/events/1047803116623411

NOV 7th, HAMILTON, ON: Book*hug Presents the Fall 2024 Hamilton Launch! https://www.facebook.com/share/Jdk7qWXLBsWGzF9K/

NOV 17th, KINGSTON, ON: Drift/line Reading Series, details forthcoming.

NOV 21st, CALGARY, AB: Single Onion Reading Series, details forthcoming.

FEB 2025, VANCOUVER, BC: Details forthcoming.

Hope to see some of you soon!