all the stars make their wishes on her eyes

the good world the good whirl

cartwheel: 12

c’est bien sûr qu’il ya tant de choses que je ne /something here/ touts le temps bébé (baby) mais bien oui wheeeeeeee

c’est bien sûr complicated fastenings drip drop dreck like say it was before then now also maybe possibly perhaps c’est bien sûr

muchthesame c’est bien sûr flood fever breath record high low humidex fat wrestled blue bonnet some bee sunflower wreck retch re: lumen or else sucker punch but then maybe c’est bien sûr not so much resonance sterile echo subtle procrastination of then/then/then but also c’est bien sûr there’s some unsettled cacophony police surveillance long time coming doomsday flecked dull unshone surrender chi-chi shining you know the truth of it c’est bien sûr baby (snake eyes) & you damn well know it

12.25

The weight blossomed without intention people no longer said she looked great. They told her they liked her dress/blouse/necklace/shoes. Thighs plushed out and plumbed, thin lidded lines pale white, her already plushy white thighs mooning glowing.

 She slept uneasily, on her side because on her back the weight felt like it was suffocating her and she found it hard to breathe. She she kept the food in herself and agonised over its digestion, the crinkly turns through esophogaus throat stomach colon intestine anus. Everything left a cold slimy trail on her insides. Her body resisted the shift. Creaked in the wrong places, sweated.

She read books about accepting her body for what it was, empowering books with bright headings and clear little cute fonts. She tried to believe them. She did not.

Her appetite had changed, it craved, demanded full plates. She looked in the mirror and hated. It was all nothing and she hated and it was still nothing and she hated.

12.75

The street is blurred and the wine is jet fuel in her, lit up, blood in the fingertips. Everything is warm and jangling and the Stone Roses are too loud in headphones and she doesn’t see him as he steps out of Kelly’s Pub and she bumps him hard (that pine smell that pine smell)  without thinking grabs his shirt his eyebrows leap she kisses him hard in the street and it’s raining. I wanna be adored you adore me I wanna I wanna be adored.

Then, of course. Statuettes on scene. Unfold diorama. Both drunk in the alley behind Kelly’s and she thinks its kinda like that scene from Sid and Nancy next to the garbage bin but then thinks she shouldn’t be thinking that so she focuses in on the kissing and his lips which are warm round luscious (fucking strawberries really fuck), she bites them and he pushes her against the brick then there’s more kissing and 

12.99 (the last tangent)

*wink*

 

 

orbital resonance

In celestial mechanics, an orbital resonance occurs when two orbiting bodies exert a regular, periodic gravitational influence on each other, usually due to their orbital periods being related by a ratio of two small integers. Orbital resonances greatly enhance the mutual gravitational influence of the bodies.

In most cases, this results in an unstable interaction, in which the bodies exchange momentum and shift orbits until the resonance no longer exists. Under some circumstances, a resonant system can be stable and self correcting, so that the bodies remain in resonance. Examples are the 1:2:4 resonance of Jupiter’s moons Ganymede, Europa and Io, and the 2:3 resonance between Pluto and Neptune. Unstable resonances with Saturn’s inner moons give rise to gaps in the rings of Saturn.

The special case of 1:1 resonance (between bodies with similar orbital radii) causes large Solar System bodies to clear the neighborhood around their orbits by ejecting nearly everything else around them; this effect is used in the current definition of a planet.

(Gravity cannot be held responsible for people falling in love. A. Einstein)

http://en.wikipedia.org/wiki/Orbital_resonance

occur

We divide into occurrences.

A place name is an occurrence of retreat. A circle is an occurrence of light. A ground is an occurrence of destruction….

Nathalie Stephens (Nathanaël), on ditchpoetry.com
http://www.ditchpoetry.com/nathaliestephens.htm

fürchte dich nicht | don’t be afraid

repetitious round, from September Songs: see circle mic/mike/microphone/talkbox the arm of God has not forsaken you

music swims back to me

by Anne Sexton 

Wait Mister. Which way is home?  
They turned the light out
and the dark is moving in the corner.  
There are no sign posts in this room,  
four ladies, over eighty,
in diapers every one of them.
La la la, Oh music swims back to me  
and I can feel the tune they played  
the night they left me
in this private institution on a hill.

Imagine it. A radio playing
and everyone here was crazy.
I liked it and danced in a circle.  
Music pours over the sense  
and in a funny way
music sees more than I.
I mean it remembers better;
remembers the first night here.
It was the strangled cold of November;  
even the stars were strapped in the sky  
and that moon too bright
forking through the bars to stick me  
with a singing in the head.
I have forgotten all the rest.

They lock me in this chair at eight a.m.  
and there are no signs to tell the way,  
just the radio beating to itself  
and the song that remembers  
more than I. Oh, la la la,  
this music swims back to me.  
The night I came I danced a circle  
and was not afraid.
Mister?

some think you were cold when you were hot

sun dog & glory

letter from paul celan to his wife gisèle

What can I offer you, my dear Gisèle?

Here is a poem written while thinking of you—here it is just as I wrote
it down, right off , in its first version, unaltered, unchanged.

Happy birthday!

Il y aura quelque chose, plus tard,
qui se remplit (se remplira) de toi
et se hisse(ra)
à (la hauteur d’) une bouche

De mon (Du milieu de) délire (ma folie)
volé(e) en éclats
je me dresse (m’érige)
et contemple ma main
qui trace
l’un, l’unique
cercle

[There will be something, later,
that brims full with you
and lifts up
toward a mouth

Out of a shardstrewn
craze
I stand up
and look upon my hand,
how it draws the one
and only
circle]

(1970)