Reading tomorrow at Collected Works

West meets East. East meets West. North and South remain estranged.

Reading tomorrow at Collected Works, Ottawa, ON, Canada at 7:30 pm with Ariel Gordon, Tracy Hamon and Pearl Pirie. Details below from the Facebook invite.

http://www.facebook.com/?ref=logo#!/event.php?eid=118401194881305&ref=mf

Winnipeg’s Ariel Gordon and Regina’s Tracy Hamon will be touring their new books east in early October and will be joined in Ottawa by Christine McNair and Pearl Pirie. Many thanks to the League of Canadian Poets, Palimpsest Press, and Coteau Books, who have enabled our swanning about the country, books in hand.

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Ariel Gordon is a Winnipeg-based writer and editor. She has two chapbooks to her credit, The navel gaze (Palimpsest Press) and Guidelines: Malaysia & Indonesia, 1999 (Rubicon Press), and this spring, Palimpsest published her first full-length poetry collection, Hump. She recently won the John Hirsch Award for Most Promising Manitoba Writer at the Manitoba Book Awards. When not being bookish, Ariel likes tromping through the woods and taking macro photographs of mushrooms.

Regina’s Tracy Hamon holds a BA Hon and a MA in English with a creative option from the U of R . Her first book of poetry This Is Not Eden was released in April 2005 and was a finalist for two Saskatchewan Book Awards. Portions of her recent collection, Interruptions in Glass (Coteau 2010) won the City of Regina Writing Award in 2005. She is the current Program Officer for the Saskatchewan Writers’ Guild.

Christine McNair’s work has appeared in The Antigonish Review, Prairie Fire, ditchpoetry.com, CV2, the Bywords Quarterly Journal, Descant, and a few other places. Her poems were featured in Dalhousie Blues, a collaborative project with Sean Moreland, Jamie Bradley and Caleb JW Brasset (ex-hubris press, 2009). Her work was also included in the Dinosaur Porn (Ferno House, 2010) and Rogue Stimulus (Mansfield Press, 2010) anthologies. She is one of the hosts of CKCU’s Literary Landscapes program and works as a book doctor in Ottawa.

Ottawa poet Pearl Pirie’s been shed bore (Chaudiere Books, 2010), her first trade poetry collection, follows years of a small voice gaining in strength, and in volume, through so much subtle activity and quiet disconnect that by the time she was noticed, she was already everywhere, and already a confident voice. Her chapbooks include over my dead corpus (AngelHouse, 2010) and boathouse (above/ground, 2008). She blogs at pesbo, Humanyms, and a few other places. Poems have appeared thru dandelion, ditch, PRECIPICe, Dusie, 17 Seconds, 1cent, and Ottawater.

it’s always better to mute

circles and circles and then more circles.

nothing stays the same

on preparations

This blog may have been indolent, but I have not been. Busy plotting ridiculous ideas for the binding of the cartwheel anthology. Submissions are coming in at a good clip. You should submit, deadline is November 1st: https://cartywheel.wordpress.com/2010/08/07/open-call-for-cartwheels-chapbook/.

October is the manic month in Ottawa, lots of writing events. See bywords.ca. Trying to make a few acres of space before the busy. Researching topics of interest to the writing projects. Reading a lot about Elizabeth Smart. Reading through a pile of books from the library and those that I bought during the Coach House backlist sale.

Fall’s turn in the cycle of seasons makes me both giddy and morose. It reminds me of those that I miss. I find the idea of ‘missing’ anything interesting right now. People, places, things, ideas. To lack and therefore want? What is it we’re grieving anyways? How much time can a widow spend on a walk?


compilation of Muybridge pics including a cartwheel of sorts.

we tied ourselves in knots (doing cartwheels cross the floor)

just forget it, all right. sugar? honey.

whirl, twirl, and a girl (en vacances)

Gone-a-roving for a little bit. Will be back when the leaves start to burn. Until then, doppelgangbuster.

like a

flickery people flavoured light

Videos now posted (on Tree Reading Series site) of the Hot Ottawa Voices reading. Cameron Anstee, Gillian Wallace and myself.

Cameron Anstee
http://www.treereadingseries.ca/10augcameronanstee.html

Gillian Wallace
http://www.treereadingseries.ca/10auggillianwallacea.html

Christine McNair
http://www.treereadingseries.ca/10augchristinemcnair.html

my own dear heart

letter of proposal from Jessie Corbett to John Wilks

I feel like an egg in a whisk.

(…) I have the ring, that magic circle, also a cosy cottage in a garden of loveliness so just say the word & we will wed.

Reply dearest to Mary Anne, G.P.O. or if you refuse my offer, forfeit in friends name a pair of gloves.

Leap Year, 1924, from Letters of Note: http://www.lettersofnote.com/2009/10/i-feel-like-egg-in-whisk.html

open call for cartwheels: chapbook

cart·wheel (kärthwl, -wl)
n. 1. A handspring in which the body turns over sideways with the arms and legs spread like the spokes of a wheel. 2. Slang A large coin, such as a silver dollar.

An open call for cartwheels: poems or quite short fiction relating to the cyclic, cartwheels, cart wheels, or any variation thereof. Loose interpretations are quite acceptable. (For example: cartwheels, but also cart wheels (see: cart, vehicle for transport), cartwheel hats, saint catherine and her wheel, catherine wheels, cartwheel coronal ejections, cartwheel neurons, cartwheel galaxies, cartwheel silver dollars, anything  related to the cyclic, etc, etc, etc.)

I’ll put together a chappy/book with accepted submissions. I’m a bookbinder/typophile and I make decent-looking books. (Know my way round a skiver and the trickeries of InDesign.) Payment = copies of said volume when complete. Expect a small run under the genteel auspices of cartywheel press, early to mid 2011.

The character of submissions will determine my choice of binding style, but I’m leaning towards something a bit more labour-intensive that your typical stapled/sewn chapbook.

Show-offs, show-boats and other spasmodic episodics greatly encouraged. Submissions can be sent to: cartywheel@gmail.com. Deadline: November 1st — we must commune with the saints.